-Darmstadt Hessen-Darmstadt to Princess Sophia Eleonora of Saxony in Torgau in 1627. As in Italy, the first patrons of opera in Germany and Austria were royalty and the nobility, and they tended to favour composers and singers from south of the Alps. Antonio Cesti was particularly successful, providing the huge operatic extravaganza ''Il pomo d'oro'' for the imperial court in Vienna in 1668. Opera in Italian would continue to exercise a considerable sway over German-speaking
of Landgrave Georg II of Hessen-Darmstadt (Landgraviate of Hesse-Darmstadt) to Princess Sophia Eleonora of Saxony in Torgau in 1627. As in Italy, the first patrons of opera in Germany and Austria were royalty and the nobility, and they tended to favour composers and singers from south of the Alps. Antonio Cesti was particularly successful, providing the huge operatic extravaganza ''Il pomo d'oro'' for the imperial court in Vienna in 1668. Opera in Italian would continue
of Hesse-Darmstadt Hessen-Darmstadt to Princess Sophia Eleonora of Saxony in Torgau in 1627. As in Italy, the first patrons of opera in Germany and Austria were royalty and the nobility, and they tended to favour composers and singers from south of the Alps. Antonio Cesti was particularly successful, providing the huge operatic extravaganza ''Il pomo d'oro'' for the imperial court in Vienna in 1668. Opera in Italian would continue to exercise a considerable sway over German