on their wondrous, miraculous art. Magically, Daedalus could fly, and magically Medea was able to rejuvenate the old (the scene on the jug seems to show her doing just this)". Fox 2009:189. The image of Daedalus demonstrates that he was already well known in the West. * Sortilege (cleromancy). This consists of the casting of lots, or ''sortes (Sortes (ancient Rome))'', whether with sticks, stones, bones, beans, coins, or some other item. Modern playing cards and board games developed from this type of divination. * Augury. Divination that ranks a set of given possibilities. It can be qualitative (such as shapes, proximities, etc.): for example, dowsing (a form of rhabdomancy) developed from this type of divination. The Romans (Roman Republic) in classical times used Etruscan (Etruscan civilization) methods of augury such as hepatoscopy (actually a form of extispicy). Haruspices (haruspex) examined the livers of sacrificed animals. Note that augury is normally considered to specifically refer to divination by studying the flight patterns of birds. * Spontaneous. An unconstrained form of divination, free from any particular medium, and actually a generalization of all types of divination. The answer comes from whatever object the diviner happens to see or hear. Some religions use a form of bibliomancy: they ask a question, riffle the pages of their holy book, and take as their answer the first passage their eyes light upon. Other forms of spontaneous divination include reading auras (Aura (paranormal)) and New Age methods of Feng Shui such as "intuitive" and Fuzion. The '''Etruscan language''' was spoken and written by the Etruscan civilization, in what is present-day Italy, in the ancient region of Etruria (modern Tuscany plus western Umbria and northern Latium) and in parts of Lombardy, Veneto, and Emilia-Romagna (where the Etruscans were displaced by Gauls). Etruscan was superseded completely by Latin, leaving only a few documents and some loanwords in Latin, such as ''persona'' (from Etruscan ''φersu''), and some place-names, such as Roma (Rome). thumb 300px Approximate distribution of languages in Iron Age Italy during the sixth century BC. (Image:Iron Age Italy.svg) Inscriptions have been found in north-west and west-central Italy, in the region that even now bears the name of the Etruscans (Etruscan civilization), Tuscany (from Latin ''tuscī'' "Etruscans"), as well as in modern Latium north of Rome, in today's Umbria west of the Tiber, around Capua in Campania and in the Po (Po River) valley to the north of Etruria. This range may indicate a maximum Italian homeland where the language was at one time spoken. The island was then invaded, first by the Etruscans (Etruscan civilization) and later (after 480 BC) by the Romans (Ancient Rome). After the Roman period, the island was ravaged by barbarians and Saracens. In the early 11th century it became a possession of the Republic of Pisa. When the latter was sold to the Visconti (house of Visconti) of Milan in 1398, the island was acquired by the Appiani, Lords of Piombino, who retained it for two centuries. In 1546 part of the island was handed over to Cosimo I de' Medici (Cosimo I de' Medici, Grand Duke of Tuscany), who fortified Portoferraio and renamed it "Cosmopoli", while in 1577 the rest of the island was returned to the Appiani. In 1596 Philip II of Spain captured Porto Azzurro and had two fortresses built there. In 1802 the island became a French possession, and its economy flourished. Homer's ''Iliad'' includes some of the earliest descriptions of combat with shield, sword and spear, usually between two heroes who pick one another for a duel. Roman gladiators engaged in dual combat in a sport-like setting, evolving out of Etruscan (Etruscan civilization) ritual. Tomb frescoes from Paestum (4th century BC) show paired fighters, with helmets, spears and shields, in a propitiatory funeral blood rite that anticipates gladiator games. Potter and Mattingly, 226; Paestum was colonized by Rome in 273 BC. One of the bridges in particular stands out – the Ponte Vecchio (''Old Bridge''), whose most striking feature is the multitude of shops built upon its edges, held up by stilts. The bridge also carries Vasari's elevated corridor (Vasari Corridor) linking the Uffizi to the Medici residence (Palazzo Pitti). Although the original bridge was constructed by the Etruscans (Etruscan civilization), the current bridge was rebuilt in the 14th century. It is the only bridge in the city to have survived World War II intact. It is the first example in the western world of a bridge built using segmental arches, that is, arches less than a semicircle, to reduce both span-to-rise ratio and the numbers of pillars to allow lesser encumbrance in the riverbed (being in this much more successful than the Roman Alconétar Bridge) Origins Early literary sources seldom agree on the origins of gladiators and the gladiator games. History The location of the city was already occupied in the 8th century BC, and neighbouring Pizzo in the Bronze Age. Nepet then became Roman (Ancient Rome) before 386 BC, when Livy speaks of it and Sutrium as the keys of Etruria. In that year it was surrendered to the Etruscan (Etruscan civilization)s and recovered by the Romans, who beheaded the authors of its surrender. It became a colony in 383 BC. It was among the twelve Latin colonies that refused further help to Rome in 209 BC. After the Social War (Social War (91–88 BC)) it became a municipium. It is hardly mentioned in imperial times, except as a station on the road (Via Amerina) which diverged from the Via Cassia near the modern Settevene and ran to Amelia and Todi. Ancient Grecian (Pottery of ancient Greece) and Etruscan (Etruscan civilization) ceramics are renowned for their figurative painting, especially in the black-figure (Black-figure pottery) and red-figure (Red-figure pottery) styles. Moulded Greek terracotta figurines, especially those from Tanagra (Tanagra figurine), were small figures, often religious but later including many of everyday genre figures, apparently used purely for decoration. History Records in Italian courts of an investigation indicate that the krater was looted (Looted art) from an Etruscan (Etruscan civilization) tomb in the Greppe Sant'Angelo near Cerveteri in December 1971. The krater was sold to the Metropolitan Museum of Art by Robert Hecht Jr., an American antiquities dealer living in Rome, for US$ (United States dollar)1.2 million on November 10, 1972. Hecht, who is currently on trial for allegations of trafficking in illicit antiquities, claimed to have acquired the krater from Dikran Sarrafian, a Lebanese (Lebanon) dealer, whose family had been in possession of the piece since 1920. Evidence suggests that Hecht may have purchased the krater in 1972 from Giacomo Medici (Giacomo Medici (art dealer)), an Italian dealer who was convicted of selling stolen art in 2005. Hecht denies the charges. Euphronios Krater Returned - Art - New York Times History Orbetello was an ancient Etruscan (Etruscan civilization) settlement, which in 280 BC passed under the control of the Romans (ancient Rome), who had founded their colony of Cosa (near the modern Ansedonia). It is thought that there was already a Villanovan (Villanova culture) settlement at the confluence of the Mugnone with the River Arno between the 10th and the 8th century BC. Between the 7th and 6th centuries BC Etruscans (Etruscan civilization) had discovered and used the ford of the Arno near this confluence, closer to the hills of the North and South. A bridge or a ferry was probably constructed here, about ten metres away from the current Ponte Vecchio, but closer to the ford itself. The Etruscans, however, preferred not to build cities on the plain for reasons of defence and instead settled about six kilometres away on a hill. This settlement was a precursor of the fortified centre of Vipsul (today's Fiesole), which was later connected by road to all the major Etruscan centres of Emilia (Emilia (region of Italy)) to the North and Lazio to the South. Luca Mandelli, a historian of the 17th century, ascribes its foundation to settlers from the Greek city of Tegea, in the Peloponnese. In the late 19th century Giacomo Racioppi attributed its foundation to Oscan-Sabellian tribes driven out from their lands as a result of the expansion of the Etruscan civilization. Lately they say '''Tegianum''' was built by Lucanians early in the 4th century BC, and later was a municipal town of Lucania, made into a colony by Emperor Nero. The '''Battle of the Cremera''' was fought between the Roman Republic and the Etruscan (Etruscan civilization) city of Veii, in 477 BC (276 AUC). Archaeological excavations have brought to light Gaulish, Gallo-Roman and Etruscan (Etruscan civilization) remains. In the outskirts of the village there are ruins of a fortification, probably of Lombard (Lombards) origin. The '''Tampa Museum of Art''' is located in downtown (Downtown Tampa) Tampa (Tampa, Florida), Florida. It exhibits 20th-century fine art, as well as Greek (Art in Ancient Greece), Roman (Ancient Rome), and Etruscan (Etruscan civilization) antiquities. The museum was founded in 1979 and debuted an innovative new building in 2010 on the banks of Hillsborough River (Hillsborough River (Florida)) just north of its original site. The current location is part of Tampa's Riverwalk (Tampa Riverwalk) and the Waterfront Arts District along with the Glazer Children's Museum and the Florida Museum of Photographic Arts and includes a gift shop and SONO Cafe, a restaurant operated by Mise En Place. However, the main focus of the galleries is on arts, craft and wares, including exhibits on: Irish coins and currency, silverware, furniture, folklife and costumes, ceramics, glassware, etc. Included are artifacts such as Etruscan (Etruscan civilization) vases, gauntlets worn by King William (William III of England) at Battle of the Boyne, a life belt and oar salvaged from the wreck of the RMS Lusitania and a pocket book carried by Wolfe Tone whilst imprisoned in the Barracks. (''See above''). Claudius had particular affinities with Lugdunum (Lyon). He was born there, and it housed the Imperial cult centre: as both Emperor and a "native" of the city, he was probably seen as its patron. He made the inscribed speech before the Roman Senate in 48 AD. It was a proposal to allow monied, landed citizens from further Gaul to enter the Senatorial class, and thus the Senate itself (Roman Senate), once they had reached the necessary level of wealth. His argument evoked the Etruscan (Etruscan civilization) origins of his own family, the Claudius (gens) (gens Claudia), and the recent promotion to senatorial rank of men from Gallia Narbonensis. Europe In Europe, bronze mirrors from the Bronze Age have been discovered from various places, including Britain (Great Britain) and Italy. A notable example includes the Birdlip mirror. Etruscan (Etruscan civilization) mirrors were produced from between the 6th and 2nd centuries BCE. Celtic mirrors in Britain (Prehistoric Britain) were produced up until the Roman (Roman Empire) conquest. Origin The trumpet is found in many early civilizations and therefore makes it difficult to discern when and where the long, straight trumpet design found in the salpinx originated. References to the salpinx are found frequently in Greek literature and art. Early descriptions of the sound of the salpinx can be found in Homer’s ''Iliad'' (9th or 8th century BC), however, this Archaic (Ancient_Greece#Archaic_period) reference is more unique and frequent references are not found until the Classical period (Classical Greece). Homer, ''Iliad,'' 18. 219. McKinnon Similar instruments can be found in Anatolia, Mesopotamia, and Egypt, though the salpinx is most closely related to the Egyptian version. References to the salpinx in classical literature include mention of the instrument as ''tyrrhene'' Aeschylus, ''Eumenides'', 458 BC. ''O herald, make proclaim, bid all men come. Then let the shrill blast of the Tyrrhene trump, Fulfilled with mortal breath, thro' the wide air Peal a loud summons, bidding all men heed.'' a derivative of ''Tyrrhenoi'', an exonym often employed by the Greeks as an allusion to the Etruscan (Etruscan civilization) people. Bronze instruments were important among the Etruscans and as a people they were held in high regard by the Greeks for their musical contributions. The salpinx as an Etruscan invention is thus supported by the Greeks and various descriptions can be found among the authors Aeschylus, Pollux (Julius Pollux), and Sophocles. It is likely that the salpinx was introduced to the Greeks in some way through the Etruscans, however, scattered references to the salpinx prior to Greek contact with the Etruscans, as well as the myriad salpinx type instruments described by Eustathius of Thessalonia Nikos Xanthoulis, "The Salpinx in Greek Antiquity," ''International Trumpet Guild Journal', October 2006, 41 , suggests some small level of uncertainty in regard to whether or not the instrument came to the Greeks directly from the Etruscans or through some intermediary source.